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Crusher
The Crusher features a high-gain distortion coupled with a passive 3-band EQ (bass, mid and treble) that provides the player with a wide range of distortion effects; from a mild crunch to over-the-top, in-your-face distortion.
The Crusher features a high-gain distortion coupled with a passive 3-band EQ (bass, mid and treble) that provides the player with a wide range of distortion effects; from a mild crunch to over-the-top, in-your-face distortion.
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Free Fuzz
The Free Fuzz was patterned after a rare and sought-after silicon transistor fuzz pedal made famous by players like Jimi Hendrix in the late ‘60s and provides a wide range of creamy, dynamic fuzz effects with an almost endless amount of sustain for soloing and chunky rhythms.
The Free Fuzz was patterned after a rare and sought-after silicon transistor fuzz pedal made famous by players like Jimi Hendrix in the late ‘60s and provides a wide range of creamy, dynamic fuzz effects with an almost endless amount of sustain for soloing and chunky rhythms.
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Green Screamer
Vintage overdrive
The Green Screamer is a vintage overdrive capable of producing a dynamic range of smooth and warm overdrive tones associated with vintage tube amps.
Vintage overdrive
The Green Screamer is a vintage overdrive capable of producing a dynamic range of smooth and warm overdrive tones associated with vintage tube amps.
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Mind Bender
The Mind Bender is a dual-mode vibrato/chorus that utilizes a BBD (Bucket Brigade Delay) circuit and produces a wide range of warm, lush vibrato, chorus and rotating speaker effects.
The Mind Bender is a dual-mode vibrato/chorus that utilizes a BBD (Bucket Brigade Delay) circuit and produces a wide range of warm, lush vibrato, chorus and rotating speaker effects.
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Sonic Stomp
The Sonic Stomp is a stomp-box version of our ever-popular Sonic Maximizer. The Sonic Stomp was carefully designed to deliver the same sonic improvement as our rack-mounted 482i Sonic Maximizer, adding clarity, definition and punch to any instrument.
The Sonic Stomp is a stomp-box version of our ever-popular Sonic Maximizer. The Sonic Stomp was carefully designed to deliver the same sonic improvement as our rack-mounted 482i Sonic Maximizer, adding clarity, definition and punch to any instrument.
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Soul Vibe
The Soul Vibe is a vintage vibe/rotary speaker simulator known for its chewy phase-like textures made popular in the late ‘60s and ‘70s by such players as Jimi Hendrix, David Gilmour and Robin Trower.
The Soul Vibe is a vintage vibe/rotary speaker simulator known for its chewy phase-like textures made popular in the late ‘60s and ‘70s by such players as Jimi Hendrix, David Gilmour and Robin Trower.
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Two Timer
The Two Timer was inspired by the long discontinued DM-2 Delay, which was known for its warm, haunting reverb and tape-like echoes. The Two Timer offers two independent delay times foot switchable via the Time1/Time2 mode footswitch. This makes it possible to have one delay set up for a short slapback rhythm sound while another is set longer for solos.
The Two Timer was inspired by the long discontinued DM-2 Delay, which was known for its warm, haunting reverb and tape-like echoes. The Two Timer offers two independent delay times foot switchable via the Time1/Time2 mode footswitch. This makes it possible to have one delay set up for a short slapback rhythm sound while another is set longer for solos.
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Wah
The Wah was based on a 1967 Class A circuit design that featured the unique Halo inductor. BBE has re-engineered and custom-tuned the Halo inductor and potentiometer to re-create the expressive tones made famous by players like Eric Clapton, Jimi Hendrix and Stevie Ray Vaughn. In addition the Wah has a “Harmony” control to help fine tune the Wah’s Q/peak response and hand-wired all components for the ultimate in vintage authenticity.
The Wah was based on a 1967 Class A circuit design that featured the unique Halo inductor. BBE has re-engineered and custom-tuned the Halo inductor and potentiometer to re-create the expressive tones made famous by players like Eric Clapton, Jimi Hendrix and Stevie Ray Vaughn. In addition the Wah has a “Harmony” control to help fine tune the Wah’s Q/peak response and hand-wired all components for the ultimate in vintage authenticity.
